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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Exodus

A Brief Response to Rev. Richard Bacon’s Opposition to Paedocommunion

1. Introduction Reverend Richard Bacon is the pastor of First Presbyterian Church of Rowlett, Texas. He has written a tract entitled " What Mean Ye By This Service? Paedocommunion in Light of Passover, " printed by Presbyterian Heritage Publications (P.O. Box 180922, Dallas, TX 75218). I am writing this brief…

by Mark HorneMay 29, 1997
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How to Worship

Formal Corporate Prayer

A Defense of the Use of Coordinated, Congregational Prayer in Public Worship My goal in this series of articles is to equip the members of Providence Reformed Presbyterian Church to worship God intelligently on Sunday and also to help visitors understand the biblical and theological rationale for our form of…

by Jeff MeyersMay 20, 1997
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Biblical Horizons

Twelve Fundamental Avenues of Revelation, Part 3

Several implications flow from this first group of considerations. First (D1), nature and natural objects reveal God to the eye of faith. The study of nature is the study of the design of the Spirit, and from it we learn how God designs things, and how we as His images…

by James B. JordanApril 30, 1997
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Biblical Chronology

John Sailhamer Weighs In, Part 1

Does the chronology in the Bible begin with the creation of Adam or with the creation of the universe? That is the question we are exploring this year. In January and February we took up the "Framework Hypothesis" as advocated by its most scholarly and powerful exponent, Dr. Meredith G.…

by James B. JordanApril 30, 1997
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Hermeneutics

Toward a Chiastic Understanding of the Gospel According to Matthew, Part 1

In preparing an essay on Matthew 24-25 for our subscription essayletter Studies in the Revelation , I have found it necessary to consider the structure of Matthew’s gospel as a whole. The following are the fruits of my research, such as they are. This essay is not intended as the…

by James B. JordanApril 29, 1997
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Creeds

In Whom Do You Trust?

An Explanation of and Apology for the Use of the Apostles’ and Nicene Creeds in Worship With the rest of the country I anxiously watched the siege of the Branch Davidian compound in Waco, Texas, but there is one image that I will always remember. It is not the firefight…

by Jeff MeyersApril 20, 1997

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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