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Apologetics

Why Did Saul of Tarsus Identify Jesus of Nazareth with the God of Israel?

The god of Israel was not just any god. Two thousand years of Christian history, with it’s besetting philosophical temptations, and full-blown deist and transcendentalist and universalist problems, have obscured the fact that, in itself, the identity of the true god (or gods) cannot be predetermined, any more than the…

by Mark HorneNovember 15, 1998
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Biblical Horizons

Crisis Time: Patriarchal Prologue, Part 3

Jacob and Solomon God gave wealth and possessions to Jacob, and then threatened to take them all away at Peniel. Jacob wrestled with God, and through prayer Jacob saw through the crisis by faith and was made victor (Hosea 12:4). The Kingdom period in Israel concerns the same themes. We…

by James B. JordanNovember 4, 1998
Exodus

The Third Word

In our study of the historical impact and unfolding of the Ten Words of God, we now arrive at the Third Word. The Third Word prohibits hypocrisy, and when we realize this, we can see right away that disobeying the Third Word is closely tied to the situation of Israel…

by James B. JordanNovember 4, 1998
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Biblical Horizons

Crisis Time: Patriarchal Prologue, Part 2

Abraham and Joshua In our previous two essays, we considered aspects of the lives of Abraham and Jacob, as these display how God works with men in history. These two men carry in themselves all the future of Israel, so to speak, and their lives at the individual level correspond…

by James B. JordanOctober 4, 1998
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Biblical Horizons

The Case Against Western Civilization, Part 7

Part 5: Laying New Foundations in a Dying World (continued) Physical Training Though it is seldom recognized any more, the fact is that no liberal arts and no science is possible apart from peace, and peace is only possible if there is a strong military presence that protects a nation.…

by James B. JordanOctober 4, 1998
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Biblical Horizons

Crisis Time: Patriarchal Prologue, Part 1

Last month, in our essay " Patriarchal Dominion ," we observed the flow from Abraham to Jacob to Joseph. Our concern here is to advance our understanding of that narrative flow. I should mention that I am assuming much that is found in my book Primeval Saints: Studies in the…

by James B. JordanSeptember 4, 1998

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Toleration Without Liberalism

W e Americans pride ourselves on our religious freedom absolutism. Officially, the U.S. permits all religious expression and prohibits none. In reality, the situation is more complicated, since the scope of “religious expression” has to be negotiated by American courts. Polygamy isn’t protected religious practice, for instance, and a Presidential…

April 26, 2017

Othello Off Pitch

T he Sam Wanamker Playhouse, a Jacobean theater in the Globe complex in London, seats 340 in three tiers, tightly crowded on backless benches. During performances, the stage is lit by candles burning from six chandeliers. Actors enter and exit within inches of the audience. During Othello a few weeks…

April 26, 2017

Mugabe and the Pastor

T he Mail & Guardian Africa reports on Zimbabwean pastor Evan Mawarire, who has inspired a nationwide resistance to Robert Mugabe and now faces sedition charges. In April 2016, Mawarire “draped Zimbabwe’s flag over his shoulders, logged on to Facebook and delivered a passionate appeal to his fellow countrymen. He…

April 25, 2017

House of Prayer

The Chronicler's account of the completion of the house of the Lord (2 Chronicles 5-7) is arranged in a fairly neat chiasm. A. Solomon finishes ( shalam ) work, 2 Chronicles 5:1 B. Solomon celebrates the feast in the seventh month, 5:2 C. Levites take ark into the house, with…

April 24, 2017

Malick's Hollywood

Terrence Malick has been on a filmmaking tear, most recently releasing Song to Song . He's back, but that hasn't dulled his skepticism about the film industry. Brett McCracken sees Malick's earlier Knight of Cups as, in part, a reflection of Malick's “complicated relationship with Hollywood”: “Malick’s critique of Hollywood,…

April 21, 2017

Disenchanted Marxists

Karol Berger argues ( A Theory of Art ) that Lyotard's famed distinction of modern and postmodern is “far too stark.” In fact we aren't faced with a simple choice “between a belief in universal history grasped by an all-explaining meta-narrative and a belief in a plurality of equally valid…

April 21, 2017

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