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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Advent

Why Stalker Should be Added to Your Christmas Watchlist

Stalker is a Soviet-era film by Andrei Tarkovsky in which an enigmatic location comes into existence either through an alien crash or a nuclear disaster; the film never makes it clear, but knowing Tarkovsky’s criticism of the spectacle nature of the alien motif after his own filming of Solaris and…

by Garrett SoucyDecember 19, 2023
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Motherhood

A Greater Capacity

I was scrolling through Instagram on the night of Thanksgiving, the only one awake (as usual), coming down from my extrovert-high after all the conversation and merriment of the day, when I came across a post that stopped me in my tracks. The post contained a picture-perfect image of some…

by Lindsey MurphyDecember 18, 2023
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Theopolis News

The 2024 James B. Jordan Prize

The Theopolis Institute is pleased to announce the fourth round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…

by Peter LeithartDecember 15, 2023
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Eschatology

What Kind of Story Is History?

Suppose I were to write three versions of a story. In every version, the first half of the book looks forward to the coming of the king. There are promises about him and about how glorious his kingdom will be, about how his kingdom will fill the earth with peace…

by John BarachDecember 12, 2023
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Galatians

Re-Considering Doug Wilson's "Covenant with Hagar"

Introduction Doug Wilson’s American Milk and Honey is now available. There’s a great deal in the book worth commenting on, and I anticipate engaging with that material more broadly in the near future. In the lead up to its release, however, Moscow has not been silent concerning Israel, the Jews,…

by Gabe HarderDecember 11, 2023
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Parables

The Older Son

Our telling of the Prodigal Son parable usually (and rightly) focuses on the runaway younger brother: the lost son returns, and his father joyfully and graciously receives him. But the full story has an additional element: an angry older brother. Jesus uses the older brother to rebuke the religious leaders…

by Tim NicholsDecember 6, 2023

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Jerusalem, Jerusalem

Jerusalem is named 13x in Matthew’s gospel, the last of them in 23:37 where the name is doubled in Jesus’ lament (the city’s name is spelled differently in 23:37). Both at the beginning and end, Jerusalem is troubled by the coming of Jesus: All Jerusalem is upset with Herod at…

June 29, 2006

Reject Disciples, Reject Jesus

Matthew mentions Sodom three times - in 10:15 and twice in 11:23-24. In the second, He says that the cities that have refused to repent when He did miracles will be judged more harshly than Sodom; in the first, He says that those who reject His disciples will be subject…

June 29, 2006
Literature

Updike’s Terrorist

James Wood is always illuminating, but never more so than when he’s giving a book a sharply negative review, as he does with Updike’s recent Terrorist (reviewed in TNR July 3). My favorite line: “When Ahmad [the terrorist of the title] speaks, he sounds like V. S. Naipaul; but when…

June 29, 2006
Literature

Updike’s Terrorist

James Wood is always illuminating, but never more so than when he’s giving a book a sharply negative review, as he does with Updike’s recent Terrorist (reviewed in TNR July 3). My favorite line: “When Ahmad [the terrorist of the title] speaks, he sounds like V. S. Naipaul; but when…

June 29, 2006

Rabbi Jesus?

It’s a commonplace of liberal theology that Jesus is a great teacher, but no more. Jesus is certainly a teacher in Matthew’s gospel, but David Bauer points out that the only people who call him rabbi are strangers or opponents (8:19; 12:38). Oh, yes, and Judas (26:25, 49). Disciples, those…

June 29, 2006
Literature

Disguise

Louis Dupre writes, “Shakespeare’s comedies, the accomplished masterpieces of this playful oscillation [between appearance and reality], leave the viewer utterly confused about what must count as real and what as illusion. The theatre here parodies a real-life fear of deception concerning the true nature of the outside world. The constantly…

June 28, 2006

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