Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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Kumar notes that the 1960s counter-culture set itself against everything in modernism: “Pop art and pop music, the ‘new wave’ in cinema and the ‘new novel’ in literature, thne elision of the boundaries between ‘art’ and ‘life,’ the cultivation of sensibility through sex and drugs rather than aesthetic contemplation of…
In a 1965 essay, Leslie Fiedler celebrated the new movements of the 1960s as post-modern, post-Freudian, post-Humanist, post-Protestant, post-white, post-male.
Kumar suggests that there is no useful distinction to be made between postmodernity as a socio-political concept and postmodernism as a cultural concept. All the instincts of postmodernists are against such a differentiation of spheres. For postmodernists, it is no longer useful to distinguish subsystems within the social world -…
Kumar defines modernism as an intellectual, cultural and artistic revolt against modernity. Yet modernism itself, especially as expressed in architecture, was complex and racked with internal contradictions: “It could denounce the ‘inauthentic’ present in the name of the future, as in Futurism and Constructivism; and it could with equal force…
At least two: The modernity of science and technology, the factory system and city planning, of bureacracy and management. And on the other hand the modernity of sensibility, literature, hedonism, the lust for ever-new experience. On the one hand, Industrialization; on the other, the Romanticism that challenged it. On the…
“Constant revolutionizing of production, uninterrupted disturbance of all social conditions, everlasting uncertainty and agitation . . . All fixed, fast-frozen relationships . . . are swept away, all new-formed ones become antiquated before they can ossify.” Zygmunt Bauman? No: Marx and Engels, in the Communist Manifesto .
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