Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Peter Leithart recently wrote on his blog about the verse from Revelation 13, "Who is able to wage war with the beast?" and I could hardly help but take special notice. These were exactly the words l had had echoing about in my own head recently. Of course the answer…
I confess to mixed feelings about Jon Stewart. There’s a great deal about his work that I don’t particularly like. I don’t like his profanity, the worst of which is mercifully bleeped out before it makes it onto the YouTube clips that are my main source of snippets. I certainly…
The Marriage Pledge , authored by Ephraim Radner and Christopher Seitz and unveiled by First Things editor R. R. Reno, argues that the time has come for Christian pastors to rend themselves away from civil marriage. The Pledge argues that the fact that many states are now allowing same sex…
Psalm 28 has an overall rhetorical structure that looks like this: lines 1-16, prayer to Yahweh lines 17-20, talk about the wicked lines 21-27, talk about Yahweh (center of psalm) lines 28-29, talk about the anointed people lines 30-33, prayer to Yahweh As is so often the case, the enemies…
A river arises in Eden, flows through the sanctuary-garden, and waters the world downstream. A spring springs up from beneath the throne of God in the temple, rushes over the threshold, and then out to the land, toward the Sea of Salt, where it empties and turns brackish water sweet.…
On Wednesday evening, November 19, Justin Holcomb, Canon for Vocations in the Episcopal Diocese of South Florida and co-founder of REST (Real Escape from the Sex Trade) was a guest of the Theopolis Institute for a lecture on sex trafficking, given at Covenant Presbyterian Church, Birmingham. Dr. Holcomb's lecture began…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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