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Biblical Horizons

Elijah’s Exodus

1 Kings 17, which abruptly introduces Elijah into the history of the northern kingdom, is a carefully constructed literary unit. In its basic structure, it follows a clear exodus-return pattern. Like Jacob and his sons, Elijah was driven out of the land by a famine (vv. 1-4). In exile, Elijah…

by Peter LeithartJune 17, 1992
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Biblical Studies

All Things New

Now the Pharisees, who were lovers of money, were listening to all these things and they were scoffing at Him. And He said to them, "You are those who justify yourselves in the sight of men, but God knows your hearts; for that which is highly esteemed among men is…

by Mark HorneJune 6, 1992
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Biblical Chronology

Chronologies and Kings, Part 11: The Knots of 2 Kings 11-14

In the year 3119, Ahaziah of Judah and Jehoram of Israel were both slain by Jehu as he carried out his God-appointed task of eliminating the seed and house of Ahab (2 Kings 9:13-33). Since the kings of Israel are usually counted as beginning their reign in the same year…

by James B. JordanMay 24, 1992
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Biblical Studies

Gleanings from Robert Alter’s "Art of Biblical Narrative"

One of the most important developments in Biblical studies in recent years has been a movement of scholars devoted to studying the literary techniques of the Biblical writers. Tremper Longman, III of Westminster Theological Seminary has treated this movement from a Reformed perspective in his Literary Approaches to Biblical Interpretation…

by Peter LeithartMay 17, 1992
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Biblical Horizons

Tentmaking

And because [Paul] was of the same trade, he stayed with [Aquila and Priscilla] and they were working; for by trade they were tentmakers (Acts 18:3). The fact that Paul was by trade a tentmaker has usually been taken as the springboard for a discussion of whether pastors should have…

by James B. JordanApril 24, 1992
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Biblical Studies

Chronologies and Kings, Part 10: Jehoram of Judah

I pointed out in Chronologies and Kings Part 9 that the years of Judah’s kings are given in chronological fashion. "When we read of a Judahite king’s reign as lasting 4 years, it means that 4 years of the chronology have been given to him, and there is no chronological…

by James B. JordanApril 24, 1992

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Literature

Caesar’s Reviving Blood

Some of the following notes were taken from a longer introduction to Julius Caesar posted on this site some months ago. INTRODUCTION For several generations, Julius Caesar has been a staple of high school English literature, coming from a period when education was rooted in Greek and Roman classics and…

July 29, 2004
Literature

Coriolanus on Film

Paul Nickell’s 1951 Westinghouse Studio One production of Coriolanus is fast-paced, well-acted, and, making allowances for technological weaknesses, interesting and fun to watch. It is also very unlike the play that Shakespeare wrote. The play begins with plebs rioting (or milling around) in the streets of Rome, complaining about the…

July 28, 2004
Literature

Coriolanus on Stage

The stage history of Coriolanus is as interesting as the play itself. It has provoked riots and demonstrations, and has been used as a way of preventing riots and demonstrations. Here are a few excerpts from RB Parker’s excellent introduction to the play (The Oxford Shakespeare): RIGHT-WING INTERPRETATIONS ?In reaction…

July 28, 2004

Sermon Outline, August 1

Glory and Song, 2 Chronicles 5:1-14 INTRODUCTION As we close out this brief series on worship, we will be looking at two separate but related issues: the glorification of worship, and music in worship. These are related in several ways: Music is itself a means of enhancing or glorifying worship;…

July 28, 2004
Literature

Double Rome

INTRODUCTION For Elizabethans, Rome was not only an ancient power but a very real contemporary power. The plays of Shakespeare that are set in Rome and those derived from Roman models often work in both registers, bringing papal Rome into plays set in ancient times. I will look at some…

July 28, 2004
Literature

Caesar

I wonder: If we take Shakespeare’s Julius Caesar as a play about both ancient and Papal Rome, then the point seems to be that ecclesiastical imperialism is unavoidable, that it will take its vengeance and return in more virulent forms. The “puritans” like Cassius attempt to cut the head off…

July 28, 2004

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