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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
darwin
Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Kantian Eschatology

I n his essay on “The End of All Things,” Kant analyzes the “pious language” that speaks of “a person who is dying as going out of time into eternity.” Kant finds no comfort in the thought. On the contrary there is “something horrifying” about it. The end of time…

January 4, 2017

Urban Utopia

E ric Gilchrest ( Revelation 21-22 in the Light of Jewish and Greco-Roman Utopianism ) suggests that the conclusion vision of Revelation would receive a quite different reaction from its original readers, depending on whether they had been schooled in Jewish or in Greco-Roman Utopian traditions. For a Jewish reader,…

January 3, 2017

Watchers

T he angelic “guards” at the gates of the new Jerusalem are, argues Margaret Barker ( Revelation of Jesus Christ , 323), “probably a memory of the ancient guardians of the city known to Isaiah, ‘the watchmen set on the walls' (Isa. 62.6).” Barker claims that “These ‘watchers' are concealed…

January 3, 2017

Merry Christmas

I ‘m taking a break from blogging over the Christmas holidays. For daily seasonal musings and meditations, see the Theopolis blog .

December 19, 2016
Poetry

Poetic Apocalypse

C hristian Wiman ( My Bright Abyss , 51-2) claims that some poets—“surprisingly few”—possess “a very particular gift for making a thing at once shine forth in its ‘thingness' and ramify beyond its own dimensions.” He sites several lines from Norman MacCaig: “Straws like tame lightnings lie about the grass…

December 16, 2016

Enemy to Life

C hristian Wiman ( My Bright Abyss , 41) quotes a poem, “These Poems, She Said” by Robert Bringhurst, which Wiman says he “carried . . . in my mind like a totem.” It begins: These poems, these poems, these poems, she said, are poems with no love in them.…

December 16, 2016

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