Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Thus says the Lord: “A voice is heard in Ramah, lamentation and bitter weeping. Rachel is weeping for her children; she refuses to be comforted for her children, because they are no more” (Jer 31:15). The Night of the Hunter belongs on every Christian’s Christmas list. My family has even…
One important part of Jesus's birth narrative is the presence of angels. The angel Gabriel appeared to the Virgin Mary, announcing that she would bear a son. And then, on the night Jesus was born, a whole host of angels appeared to the shepherds. Angels are mysterious creatures to us.…
I was settled nicely into my chair and listening to the conversation in an undergrad religion seminar, my last required course to graduate. Though a few Christians sat scattered around the room, the course itself was dedicated to poking holes in traditional understandings of the Bible: our readings deconstructed notions…
God’s symbols belong to Him and to His people. They are constantly at work in the world, including the world of film, music, painting, architecture, and other artforms. You cannot escape God’s symbols or the meaning He has woven into the created order. Artists use and borrow God’s symbols, whether…
For centuries, Christians identified Israel in the Old Testament as a single, literal ethnic group, often called “the Jews.” Even supersessionists – those who believed the Church superseded Israel – assumed the clear-cut, technical definition of “Israel” in the Bible is the ethnic group. However, a deeper dive into Genesis,…
Misreading Intent In the opening verses of Matthew 11, the reader is confronted immediately by John the baptizer who has been imprisoned since 4:12. John poses a question to Jesus, inquiring from prison as to whether or not he is Israel’s awaited Messiah or if they should anticipate another: “Are…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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