Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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L ook at a wall, suggests Matthew Crawford ( The World Beyond Your Head ). What color is it? You probably have an answer, a simple one, but when you force yourself to look closely you can see all sorts of variations. The paint is uneven; the old color shows…
P rior to the 1830s, argues JCD Clark ( The Language of Liberty, 1660-1832 ), British political debate was carried on with denominational idioms. Political divides were denominational divides. Political and denominational issues overlapped and intertwined. Political networks, on both sides of the Atlantic, followed denominational pathways. As Clark puts…
I n Revelation, martyrs sing before martyrdom and after martyrdom (Revelation 14-15). Their martyr songs are the war songs of the Lamb, the triumphal chants of those who overcome because they, like the Lamb, do not love life even to death. It doesn't happen only in Revelation. In his comments…
S ummarizing themes from his Love, Sex, and Tragedy , Simon Goldhill highlights the difference between ancient Greek conceptions of eros and Christian and post-Christian conceptions of romantic love. Even the most famous lovers of Greek antiquity, he writes, don’t express themselves with the little nothings that are normal among…
I n a TLS review of several new books on Kierkegaard, Will Rees comments on the therapeutic cruelty of Kierkegaard’s writing. In Sickness Unto Death , “Anti-Climacus explains how, far from an inheritance of birth, the ‘self’ is in fact a vocation – something that one must forge in a…
D evoney Looser says that Jane Austen’s juvenilia is an exercise in burlesque . Not the strip-tease variety, but not so far from that either: “Where a parody sets out to mimic conventions and make us laugh, a burlesque relies ‘on an extravagant incongruity between a subject and its treatment.’…
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