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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Horizons

Twelve Fundamental Avenues of Revelation, Part 2

Theophanic revelation is historically progressive, or eschatological, in character. First of all, in Genesis 1:2, the Spirit appeared inside the creation, sent by the Father. After the creation of man, the Spirit worked and works with humanity to bring us to maturity, from Daughter to Bride to fruitful Mother. He…

by James B. JordanFebruary 28, 1997
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Biblical Studies

The Calf of the Purification Offering

On the eighth day of the rite of "filling the hand," Aaron began his service at the altar. His first offering was a "calf" (Heb. `egel ), which served as a purification offering for himself and (apparently) his household (Leviticus 9:2, 8). This is striking for a couple of reasons.…

by Peter LeithartFebruary 27, 1997
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Exodus

A Blossom of Yahweh’s Garden

One of the distinctive items of the high priest’s clothing was the "golden plate" inscribed with the words "Holy to Yahweh" (Exodus 28:36-38). The word translated as "plate" is tsits , which literally means "flower." The verbal and noun forms are both used in Numbers 17:8, which describes Aaron’s rod…

by Peter LeithartFebruary 27, 1997
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Biblical Horizons

Squaring Off and Crossing Up

The square, rectangle, and cross shapes appear all over the sanctuaries God reveals in the Bible: Tabernacle, Solomon’s Temple, Ezekiel’s Temple, New Jerusalem. One thing that can be said right away about these designs, and the occasional perfect circle (the lavers), is that they do not occur in nature. They…

by James B. JordanJanuary 28, 1997
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Biblical Studies

In the Fish: The Church as Tomb

"For just as Jonah was three days and three nights in the belly of the sea-monster, so will the Son of Man be three days and three nights in the heart of the earth" (Matthew 12:40). Some reflections on Jonah’s Big Fish have led to the following essay. Let me…

by James B. JordanJanuary 28, 1997
Hermeneutics

God Most High

Citing Melchizedek in Genesis 14:18-20, James Jordan has written that "the name of God in use among the nations was God Most High’" (Hebrew, `el `elyon ; in Through New Eyes , p. 176). In addition to Melchizedek, one could cite the example of Balaam, who invokes the Lord both…

by Peter LeithartJanuary 27, 1997

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ShakespeareStory

Call Me Malvolio

Call me Malvolio. I was lately the steward of the house of the great and famed Countess Olivia of Illyria. You may have heard of her. I had charge of my Lady’s household retinue, the maids and men who clean, cook, and care for the house. I do my work…

April 10, 2020
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Exodus

The Veil and the Screen

Exodus 26 describes the formation of the tabernacle - the layered curtains, the boards and bases, the bars that secure the boards. The chapter ends with a description of the paroket , the veil that separates the Holy Place from the Most Holy (Exodus 26:31-37; v. 33). The screen is…

April 8, 2020
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Coronavirus

A Time For Presence

We're forcibly separated from each other. Residents of many cities around the world are sheltered in place, permitted to leave home only for basic necessities. It's tempting to hunker down in our personal bunkers, avoid contact with others, and wait out the storm. The opposite is true. More than usual,…

April 6, 2020
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Exodus

Bars

The tabernacle has walls of gold-plated wood (Exodus 26:15-25). Those walls are held together by gold-plated bars (26:26-30). There are five bars on each of the long sides of the tabernacle (vv. 26-27), and five bars across the back wall (Exodus 26:27). The bars are held in place by gold…

April 3, 2020
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Coronavirus

Trust or Terror

In my First Things column last week, I examined the “apocalyptic” character of the coronavirus epidemic. “Apocalypse” doesn’t mean “end of the world,” but “uncovering” or “unveiling.” In the column, I focused on how the epidemic can unveil our sins, our decadence, our distorted values and desires. Plagues unveil what…

April 1, 2020
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DeathLiterature

Memento Mori

Virtually all the characters in Muriel Spark’s 1959 novel, Memento Mori , are over 70. They suffer the physical humiliations of aging and the pains of regret. Unexpectedly, hilariously, they’re as competitive and petty as schoolchildren. Well into his 80s, Godfrey Colston scorns the crippled critic Guy Leets for the…

March 30, 2020

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