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Biblical Studies

The Art of Why

“We have a God who hides things because He loves to be sought out, chewed out and found out.” As Christians, we are rightly taught that we must not question God’s Word. The problem is that the Scriptures record many things which appear to have been given to us for…

by Mike BullMay 12, 2015
last-supper
Revelation

Eucharistic Harvest

The book of Revelation is a liturgy. John begins “in the Spirit” on the “Lord’s day” (1:10). Jesus appears, and Jesus tells him to record messages to seven churches, words of encouragement and rebuke, like the call to worship and confession at the beginning of a Christian liturgy. In chapter…

by Peter LeithartMay 7, 2015
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Creation

Maker of Heaven and Earth, (Part 5)

In my previous posts, I looked at the theme of creation as it is found in a sequence of psalms devoted to Yahweh’s Kingship (Psalms 93-100). Among other matters, these psalms declare that when the Kingdom of Israel’s God comes, it is the Kingdom of the world’s own Creator .…

by Stephen LongMay 7, 2015
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Deuteronomy

Paul the Levir

The church in Corinth was a pastoral nightmare. Factionalism, sexual immorality, incipient syncretism, using the church as a stage for self-promotion, and denial of the final resurrection were just some of the problems. In Paul’s first letter to the Corinthian church, he confronts each of these problems directly and in…

by Bill SmithMay 5, 2015
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Covenant

Covenant Structure in Genesis 2

The first chapters of the Word of God have a poetic rhythm. This is used to discredit their accuracy as historical narrative, but the truth is that these same rhythms continue far beyond the book of Genesis. In fact, the later texts shed light on the frustratingly succinct account of…

by Mike BullApril 30, 2015
light-bulb
Creation

Must A Light Bulb Be "Oriented Toward Illumination"?

Mr. Martian: What’s that there? Mr. Edison: (Edison holds up a standard, 60 watt lightbulb). It’s a lightbulb. Mr. Martian: A “lightbulb” you say? What exactly is a “lightbulb”? Mr. Edison: A lightbulb is an object used to illuminate a dark area, say a room. It’s made primarily of filament…

by Gerald HiestandApril 28, 2015

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Come to the Feast

Joseph Mangina ( Revelation , 248) summarizes David Barr's ( Tales of the End ) analysis of the parallels between Revelation 22 and the Didache 's depiction of early Christian Eucharist: “both Rev. 22 and the Didache (a) allude to Jesus's descent from David, (b) draw a sharp distinction between…

January 7, 2016
Empire

Unfinished Empire

“‘Empire’ is a grand word,” write John Darwin at the beginning of his Unfinished Empire . On the ground, the reality of empire is “a mass of individuals, a network of lobbies, a mountain of hopes: for careers, fortunes, religious salvation or just physical safety. Empires were not made by…

January 7, 2016

Premillennial Time

Premillennialism - the view that Jesus returns to reign in person at the beginning of a literal one-thousand-year golden age - is often criticized these days for being defeatist, spiritualist, gnostic. It was not always so. As Martin Spence shows in his excellent Heaven on Earth , early critics of…

January 7, 2016

Do Not

Four times in Revelation, John is directly told not to do something. When he falls at the feet of Jesus, Jesus touches him with his right hand and says, “Do not fear” (1:17; Gr. me phobou ). When no one in heaven, earth, or under earth can be found to…

January 6, 2016
Empire

The Missionaries and the Empire

Responding to Eugene McCarraher, John Milbank gives a brief overview of the complex interactions of European imperial powers, the church, and the colonized. Contrary to some popular opinion, “Missionaries were often opponents of military, economic and settler empire as has now been abundantly shown by historians. In a parallel fashion,…

January 6, 2016
Music

The Great American Symphony

When Dvorak's New World Symphony debuted in New York, it was hailed as a masterpiece, the American symphony that American composers had tried, and failed, to produce. Which American composers would those be? Douglas Shadle's Orchestrating the Nation answers the question. It's a question contemporary symphony-goers need answered too. As…

January 6, 2016

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