Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…
In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…
“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…
Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…
“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…
In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…
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John's description of the harlot city (Revelation 17:4-5) that he sees in the wilderness is written in four clauses: She is clothed; she is gilded; she holds something in her hand; and she has a name on her forehead. These four clauses describe seven pieces of the harlot's attire and…
Robert Jenson grasps the attractions of antinomianism: “perhaps only on the edge of antinomianism does the true bite of the gospel appear” ( Ezekiel , 62). Yet Christians must stop short of the edge, because “falling over that edge is . . . the disaster of faith.” This is not…
When I published some articles on the German-American philosopher Eugen Rosenstock-Huessy (1888-1973) on the web a decade or more ago, I received an email from Norman Fiering, Director and Librarian Emeritus of the John Carter Brown Library at Brown University. A student of Rosenstock-Huessy’s at Dartmouth College during the 1950s,…
The verb porneuo and noun porneia are prominent themes in Revelation. Two of the seven churches of Asia are warned about factions that commit acts of immorality (2:14, 20), and the great harlot Babylon fornicates with the kings of the earth (17:2; 18:3, 9). The noun form, porneia , appears…
Not surprisingly, Robert Jenson spends a lot of time in his Brazos commentary on Ezekiel talking about Trinity and Christology and other topics that biblical scholars would tell him do not appear in Ezekiel's prophecy. He knows that his method will offend “the modern exegetical academy's chief dogma,” namely, the…
“Eschatology and violence are intrinsically connected,” writer Robert Jenson ( Ezekiel , 76). So much the worse for eschatology, one might say. It needs to be purged from Scripture and theology. The problem, Jenson says, is that when we purge the violence, “nothing is left” (76, fn 5). The violence…
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