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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
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Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Eucharist

Cult of the Host

One chapter of Emmanuel Katongole's A Future for Africa is a critique of the Ugandan Movement for the Restoration of the Ten Commandments of God (MRTCG). He argues that the movement has a “tendency toward isolation,” fails “to reimagine the nature of Christian leadership,” and exhibits a “lack of hope”…

July 21, 2015

You Are A Nanoverse

Tim Flannery's NYRB review of Paul Falkowski's Life's Engines and Peter Ward and Joe Kirschvink's A New History of Life sums up the authors' points: “our cells are comprised of a series of highly sophisticated ‘little engines' or nanomachines that carry out life’s vital functions.” These microscopic machines all work…

July 21, 2015

End of Music

The fall of Babylon brings an end to the sounds and sights of urban life. In particular it means the end of music (Revelation 18:22). Music once spread to the four corners of the city; when she is tossed into the cease, all four orchestra sections cease - harpists, musicians,…

July 20, 2015

Bound and Unbound

The verb “bind” (Greek, deo ) is used four times in John's gospel. The uses form a little chiasm: A. Lazarus emerges from the grave bound with grave clothes, 11:44. B. The Romans arrest and bind Jesus, 18:12. B'. Anna sends Jesus, still bound, to Caiaphas, 18:24. A'. Jesus is…

July 20, 2015

The Bible Teaches Us To Read It

Those who share in the first resurrection are not under the authority of the second death (Revelation 20:6). We know what the first resurrection is. John has just told us: Beheaded martyrs and those who resist the beast come to life and reign with Christ. “ This is the first…

July 20, 2015

Racism and the Modern Self

In his A Future for Africa , Emmanuel Katongole offers this brief analysis of the roots of racism. He argues that it is a specifically modern phenomenon, and that it is entrenched in “the story of the modern self, particularly the constant anxiety at the heart of the modern project.”…

July 20, 2015

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