Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For many people the date October 31 is significant not only for being the Eve of All Saints (All Hallows Eve, Halloween) but as the day in 1517 when Martin Luther nailed his 95 theses to the door of the Castle Church in Wittenburg. These theses were a list of…
It has become routine in October for some Christian schools to send out letters warning parents about the evils of Halloween, and it has become equally routine for me to be asked questions about this matter. "Halloween" is simply a contraction for All Hallows’ Eve. The word "hallow" means "saint,"…
The following is an excerpt from Peter Leithart's forthcoming two-volume commentary on Revelation (T&T Clark). Y ou must prophesy again concerning many peoples and nations and tongues and kings,” a voice tells John (Rev. 10:11). Then someone gives him a “reed like a rod” and instructs him to measure (11:1).…
Josiah is an ideal Davidic king in many ways. He not only “did right,” but he “walked in the ways of his father David” and “did not turn aside to the right or to the left” (2 Chronicles 34:2). At the age of 16, he began to seek Yahweh, and…
One of the best discussions of Augustine’s views on time comes from Jeremy Begbie’s Theology, Music, and Time (ch. 3). Following Paul Ricoeur, Begbie claims that Augustine’s distentio “is conceived as the three-fold present, and the threefold present as distentio . The distentio consists in the non-coincidence of the mind’s…
This has always been the position of the Christian Church, and from an historical perspective the present situation in evangelicalism is appalling. The early liturgies of the Church, which are still used in Episcopal and Lutheran worship, are laced with psalm phrases. The early hymns, such as the Te Deum…
Showing page 104 of 309
Showing page 6 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
