Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If we say that we have no sin, we deceive ourselves, and the truth is not in us. (1 John 1:8) O God the Father, creator of heaven and earth, Alpha and Omega, beginning and end, who inspired Creation with the breath of your nostrils, who placed Adam in the…
For nearly a half-century, Sodom has been a key symbol in the American culture wars. On the one side, we have an aggressive movement among homosexuals that has first decriminalized homosexual conduct, then to force cultural and legal recognition of homosexuals as a minority and to normalize homosexual behaviors, finally…
Speaking of the Church, Romans 11:16-17 says, "And if the root be holy, the branches are also. But if some of the branches were broken off, and you, being a wild olive were grafted in among them and became partaker with them of the root of the fatness of the…
At the end of Isaiah 61, Yahweh's Servant rejoices because the Lord clothes Him with salvation and righteousness. He decks Him like a bridegroom with a garland on His head. He wears jewels like a bride. He is a new bridegroom in a new garden of Eden, a garden of…
Before anything else, a word about “Torah” may be in order. I have been persuaded that “law” is a bad translation of “Torah,” even though it is evident that what is called “Torah” does have commandments, statutes, and ordinances in abundance. Why not “law?” “Law” as a translation for “Torah”…
Few novelists seem as innocent of the temptation to punditry as Jane Austen. Though living through a period that witnessed the birth of an independent United States, the French Revolution and the Terror, the Napoleonic wars and the rise of revolutionary romanticism, and the upheavals of the Industrial Revolution, she…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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