Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Stranger: Do you have to use so many cuss words? The Dude: What the f*ck you talking about? - The Big Lebowski There was a man I knew, an elder at his church, who, whenever he was called upon to announce a pregnancy, preferred the euphemism “with child” because…
I know what you’re thinking. Organ: funeral, ball game, grand dusty cathedral. Why should modern Christians of such a technological age revisit a thousand year-old instrument? Don’t worry, I will not be trying to punch another hole in my Weird Music Preferences and Opinions card here. The truth is, our…
Do things have natures? As I am posing the question, it is not simply a question of whether there are particular kinds of things in the world that have characteristic features, patterns of behavior, trajectories of growth and development. If that is what the word means, then the answer is…
We are excited to announce our 2016 Nevin Lectures featuring Father John Behr. Fr. John is the Dean of St. Vladimir's Seminary and Professor of Patristics, as well as the author of multiple works. He will be delivering three lectures over the course of two days dealing with "What Protestants…
New Year's Day makes one reflective, at least about the past year, perhaps about life, perhaps, more broadly, about time itself. Many view time as a curse. Some see it as a curse because of missed chances. As one day or year moves on to the next, all we can…
It seems a truism to say that we live in the world: that the world is outside of us. In reality the world is very much inside of us too. In fact the world passes through us as much as we pass through it. We breathe in its air, using…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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