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Biblical Chronology

Chronologies and Kings: Part 3

The chronology of the Kings of Judah and Israel can be divided into three periods with clearly defined boundaries. The first period begins with the death of Solomon and the accessions of Rehoboam in the south (Judah) and Jeroboam in the north (Israel). It ends with the deaths of Ahaziah…

by James B. JordanSeptember 22, 1991
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Art

Arts & Play, Part 1

Most modern people regard the arts as essentially decorative. They are hardly very important, as compared to business, politics, or religion. Yet, from a Biblical point of view, the arts lie close to the heart of human life. The universe that God created is itself an artistic masterpiece by the…

by James B. JordanSeptember 22, 1991
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Exodus

Chronologies and Kings, Part 2

Before we move into a detailed survey of the history and chronology of the kings of Israel and Judah, let us review the chronological information that leads from creation to the kingdom. This will be helpful both to new readers of these essays, and a reminder for those who have…

by James B. JordanAugust 22, 1991
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Biblical Chronology

Chronologies and Kings, Part 1

We have completed our overall survey of Biblical chronology, and now turn to a detailed examination of the Biblical information regarding the chronology of Israel’s kings. The first piece of chronological information we have regarding Israel’s kings is very cryptic, and it serves as an guide to the interpretation of…

by James B. JordanJuly 22, 1991
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Biblical Horizons

Book Review - To Take Place: Toward Theory in Ritual

Jonathan Z. Smith, To Take Place: Toward Theory in Ritual (Chicago: University of Chicago Press, 1987). Reviewed by Peter J. Leithart. The philosophes of the 18th century often attacked Christendom using the tools of anthropology and comparative religion. Rousseau contrasted the idyllic equality of primitive, natural peoples with the bondage…

by Peter LeithartJuly 6, 1991
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Biblical Horizons

Book Review: The Rise of Magic in Early Medieval Europe

Valerie I. J. Flint, The Rise of Magic in Early Medieval Europe (Princeton University Press, 1991). Reviewed by Peter J. Leithart. Valerie I. J. Flint, Professor of History at the University of Auckland, New Zealand, is refreshingly candid about her reasons for undertaking a study of The Rise of Magic…

by Peter LeithartJuly 6, 1991

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Practical Texts?

Are the ritual texts of Leviticus “practical” texts designed to guide priests and people in sacrificial and other rituals? If so, argues Leigh Trevaskis in Holiness, Ethics, and Ritual in Leviticus , they don’t do a very good job of it. Too much is left out, and things that are…

April 1, 2014
Uncategorized

Adam Israel

In a few places, Leviticus uses the Hebrew word adam to refer to “any person.” Why adam ? Most commentators suggest that it’s to emphasize sexual inclusiveness. Trevaskis ( Holiness, Ethics, and Ritual in Leviticus ) thinks there’s more. He points out that the tabernacle is an architectural garden of…

April 1, 2014

Presiding at Death

In his masterful study of ancient Greek Miasma , Robert Parker notes death was intensely defiling: “Extramural burial was the norm in almost all classical Greek cities. It would be shocking to mingle the dwellings of the dead with those of the living, still more with those of the gods”…

April 1, 2014

Disturbance

A.A. van Ruler argues that “Israel is the great disturbing factor in the paganism of the world’s nations,” and the church follows Israel’s path ( Calvinist Trinitarianism and Theocentric Politics , 152-3). This is partly because Christianity “is wholly and completely oriented to concrete, visible reality,” since it “thinks and…

April 1, 2014

Sympathy for the Devil

Brian Mattson of the Center for Cultural Leadership offers a lively, compelling analysis of Darren Aronofsky’s Noah . He shows that the film is consistent and sticks close to its sources. The only problem is that Aronofsky’s sources are Kabbalic and Gnostic. Mattson writes, “The world of Aronofsky’s Noah is…

April 1, 2014

Polyphonic Hedgehog

I state a thesis: Dostoevsky is a polyphonic hedgehog. The subthesis is that Tolstoy is a monologic fox. The second part of that comparison comes from Isaiah Berlin’s The Hedgehog and the Fox . Berlin cites the Greek poet Archilochus’s dictum, “A fox knows many things; a hedgehog knows one…

March 31, 2014

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