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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Children

Honor God With Your Body

I am making a new rule in our house! We are actually kind of skimpy on the house rules. I try very hard to keep things simple: love God, love others, be joyful. It’s not complicated to avoid discipline here. But I have found myself repeating this new rule over…

by Lindsey TollefsonApril 9, 2015
giotto-noli-me-3
John

The Gardener and the Beloved, (Part 3)

Click HERE for Part 2 The voice of Jesus transforms and changes Mary when she hears him speak her name. This is her last “turning.” So also the woman in the Song of Songs longs to hear the voice of her beloved. Let me see your face, let me hear…

by Jeff MeyersApril 6, 2015
giotto-noli-me-2
John

The Gardener and the Beloved, (Part 2)

Click HERE for Part 1. The details of this story call the attentive reader back to the drama of Solomon’s Song of Songs. And the Song of Song’s alludes to, ties us into the story of Adam and Eve in the Garden and the promise of a coming Messiah that…

by Jeff MeyersApril 4, 2015
easter-term-2015-2
Theopolis News

Easter Term, 2015

“The course was a paradigm shift for me,” said Jonathan Sedlak, a Milwaukee electrical contractor who attended Theopolis’s course on Revelation. “I am left with a book that is far more practical than it has ever seemed before.” Jonathan Anderson of Louisville, Kentucky found the course “refreshing.” “I finished with…

by TheopolisApril 2, 2015
psalm-singing
Genesis

Worship as Response: Liturgical Logic, (Part 1)

“It is only by participation in a rational, practice-based community that one becomes rational.” – Alasdair MacIntyre It may be perfectly clear to a chef why adding unsifted powdered sugar to a hot frosting is a bad idea. But for an amateur cook, this may be the kind of rule…

by Jonathan BarlowApril 2, 2015
giotto-noli-me
John

The Gardener and the Beloved, (Part 1)

On a fresco in a chapel in Padua, Italy, there is a famous painting depicting the dramatic post-resurrection scene in John 20 with Mary and Jesus outside of the garden tomb. Giotto di Bondone painted it in the early 14th century. Jesus is striding from the tomb with a victor’s…

by Jeff MeyersApril 1, 2015

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Sermon Notes

INTRODUCTION After the Olivet Discourse, Jesus “finished all these words” (26:1; cf. 7:28; 11:1; 13:53; 19:1).  His public ministry of teaching Israel is over.  Like Moses (Deuteronomy 32:45), nothing remains for Him but to die. THE TEXT “Now it came to pass, when Jesus had finished all these sayings,  that…

October 26, 2009

Eros Deleted

Protestants agreed with Catholics that the Song elaborates a nuptial analogy to the church’s relation to Christ, but Scheper finds a significant difference between Protestants and Catholics when they explain why that analogy is apt in the first place.  Protestants, consistent with the emphasis on legal categories for justification and…

October 25, 2009

Puritan Prudery

The Puritans were not prudes, but the caricature has some basis in fact. Again the Song of Songs provides a neat barometer.  Scheper juxtaposes a medieval monk’s interpretation of the “breasts” of the Song with that of two Protestant interpreters.  The results are fascinating: “the Cistercian monk Gilbert of Hoilandia does…

October 25, 2009

Medieval Protestantism

the Protestant commentaries almost uniformly adopt a primarily ecclesial allegory, with the tropological dimension as a valid application. But so, in fact, is the medieval tradition built on the foundation of the ecclesial interpretation, and even those commentaries devoted most strikingly to the Christsoul allegory, such as Bernard’s, recognize that…

October 25, 2009

Superlative Song

The modern oblivion of the book has tended to blind us to the really crucial position it holds in exegetic history, not only for the question of allegory but for the central matter of the relation of divine to profane love, and in fact, as Ruth Wallerstein has said, the…

October 25, 2009

Reformation allegory

there is a certain discrepancy between the purity of these theoretical statements, polemical in context, and the actual exegetic practice of the Reformers. Moreover, the rejection of allegory and the insistence on one undivided sense hinged for the early Reformers on maintaining a radical distinction between typology and allegory. But…

October 25, 2009

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