Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…
This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…
This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…
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Levine: “In 1853 Putnam’s Magazine had proposed that P. T. Barnum . . . be named the manager of New York’s Opera. ‘He understands what our public wants, and how to gratify that want. He has no foreign antecedents. He is not bullied by the remembrance that they manage so…
Levine: “In 1853 Putnam’s Magazine had proposed that P. T. Barnum . . . be named the manager of New York’s Opera. ‘He understands what our public wants, and how to gratify that want. He has no foreign antecedents. He is not bullied by the remembrance that they manage so…
In his Highbrow/Lowbrow , Lawrence Levine writes that “it is hard to exaggerate the ubiquity of operatic music in nineteenth-century America. In 1861 a band played music from Rigoletto to accompany the inauguration of President Lincoln. In the midst of the Civil War a soldier in the Twenty-fourth Massachusetts Volunteer…
Victor Zuckerkandl points out that Western music since the 17th century has been measured music, that is, music in which beats are organized into groups, into measures. This innovation in musical organization creates a complex rhythmic situation. At one level, there is a recognizable beat running through a piece of…
Some quite random highlights from Milbank’s very rich essay review of Rowan Williams’s Art and Necessity , published in Modern Theology . 1) Milbank makes a numerb of illuminating points about Aquinas’s theory of knowledge, supporting some aspects of Maritain’s Thomism. Instead of addressing the strictly “epistemological” question of how…
This overlaps considerably with previous posts. INTRODUCTION According to John’s description, the world is formed by various “lusts” or desires, and by “pride” and “boasting.” We can respond faithfully to the world only when we discern the desires that shape the world and the desires and boasting provoked by the…
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