Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The ordination of women to the Christian ministry, specifically the pastoral office of overseeing worship and performing preaching and the Lord's Supper, is a recent development in Church history. From the early church until the late 20th century, women were never ordained as ministers of word and sacrament, not in…
The Office of Deaconness in the Garden The last act of Yahweh God in creating the world was the glorification of humanity by the creation of woman. The woman is the glory of the man, and thus a "better version" of the man, an improvement in the sense of being…
One of the first things the Bible says about God is that He is concerned with keeping time. He is not bound by time, but He is also not detached from time or disinterested in it. From the very beginning of creation, He keeps time. He defines what constitutes a…
We are surrounded by lists; we construct lists all the time. Pop music has its continuous Top 50 lists, and the New York Times has a regular best-sellers list. Many of us are fascinated by the lists of nominees for the academy awards, glance at the Sports pages to see…
Trinity House fellow Rev. Jeff Meyers and Peter Leithart will lecture at the annual All Saints conference at Community Presbyterian church in Louisville, Kentucky, November 1-3. Click here for schedule and registration.
The French Jesuit theologian Henri de Lubac (1896-1991) was one of the most significant Catholic theologians of the twentieth century, a central figure in the ressourcement movement and the nouvelle theologie that inspired the change of atmosphere in the Catholic church leading up to Vatican II. In his book on…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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