Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
After the identification of the recipients of his letter at the beginning of Revelation, John gives a benediction that resembles the benedictions of the Pauline letters. He pronounces grace/favor and peace, grace and favor that lead to peace, grace that leads to fullness and harmony that is the biblical definition…
Throughout the latter half of 1-2 Samuel, Saul and David are locked in hand-to-hand combat. It seems an unequal contest. All the heavy artillery is on Saul's side. To understand the full scope of the conflict, we need to back up to the beginning of the book. Prior to Saul's…
Last week, I lectured at Ostrog Academy in Ostrog, Ukraine, and at a pastors' conference in Kyiv. The latter was co-sponsored by Trinity House and the Alliance of Reformed Churches in Ukraine. I offer my impressions of Ukraine this morning at Firstthings.com .
Why do I bristle when I see someone with white wires hanging from his ears, flipping through what must be a million songs downloaded onto his iPod? No doubt, it’s the threat of the new. I've only recently begun carrying a cell phone, and now I hear tell of compact…
Judah is in terrible shape (Isaiah 57). Yahweh told Israel to worship Him only at the temple, but the people worship on every hill and under every green and leafy tree. He commanded them to worship Him alone, but they are devoted to many gods. Worshipers set up their beds…
Like any great writer, the Lord foreshadows late happenings in early happenings. Like many greater writers, the Lord ends where he begins, returning to a glorified Edenic city-sanctuary at the end of his cosmic story. The Lord writes with history, real people and events, not merely with words. But His…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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