Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
A Brief Comparison of Calvin’s Institutes with the Westminster Confession and Catechisms regarding the shape of imputation This essay is a brief argument that the soteriology of John Calvin in his Institutes of the Christian Religion regarding union with Christ and the imputation of his righteousness is the same as…
The thoughts in this paper were largely prompted by a study of Walter E. Krebs, “The Word and the Sacraments,” Mercersburg Review (July, 1867), 366-383. The discussion in this paper presupposes my earlier studies of baptism, “Baptismal Efficacy and the Reformed Tradition: Past, Present, and Future” and “Calvin on Baptism,…
Sometimes our systematic theology creates an illusion of precision. For example, we distinguish the ground and instrument of justification. Justification is grounded in Christ’s work alone, and is instrumentally received by faith alone. That makes good sense and guards us from thinking that faith itself is somehow meritorious. All the…
Whenever we participate in the Sacrament of the Eucharist, we remember Christ and His Work for us. We remember. And in remembering, we imitate God, as His creatures made after His image. God remembers. This is mysterious to us because we usually think of remembering in the context of our…
It is standard in paedobaptist circles to argue for the baptism of infants out of the Old Covenant system. Because there is no explicit command in the New Testament, we are left to the broader principles and patterns of Scripture. In the Old Covenant, we continually find that the children…
Luther popularized the law/gospel hermeneutic. Luther argued that any demands God made upon us fell into the category of “law” and could only condemn. By contrast, anything God gave us was “gospel” and came with no strings attached. Calvin paid lip service to this law/gospel antithesis, even though it was…
Showing page 232 of 309
Showing page 7 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
