Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In my last essay, we saw how consumer culture has gutted the familial category necessary to understand the church. When a consumer visits a church, he expects another service-provider, such as a hospital or a restaurant. He doesn’t understand the role of men in ministry, and thus, not the role…
First time visitors to our church sometimes express their surprise that children, even the youngest, participate with their parents in the entire worship service. Many congregations created an expectation for the parents (and children) of Sunday School or Child Care being available during the entire worship service or during the…
Quantifying the Love of God “For God so loved the world that he gave his only begotten son, that whosoever believes in him should not perish, but have everlasting life” ~ John 3:16 This most beloved verse in all the Bible was spoken by the Savior himself to Nicodemus. As…
While The Lord’s Prayer enjoys wide recognition throughout the Church, its richness and depth may be unrealized due to a lesser familiarity with, what I will argue is, its primary inspiration: the Tabernacle. There, Christ’s intent can rightly be discerned. The Prayer’s methodological correction to the Jews and Gentiles wasn’t…
The Consumption of the Covenant Idea of the Church Last time we saw consumerism, having canalized its attitudes in our culture, shapes what the consumer sees when he or she steps into a church. Here, we’ll see how it has eviscerated the covenant and familial ideas necessary to understand the…
The ignoble Jayber Crow can stir your appetite for the noble. It’s the simplicity of a good ol’ Port William boy that builds the charm of the book. In fact, the elitists in Port William receive the harshest blows and severest outcomes, as they should. But before delving into the…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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