Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Can it be that it has been two whole years since I contributed a Theopolis Post! I had been pursuing the topic of integration: “Seeking Integration in a Fragmented World.” I had defined “integration,” simply, as creative putting together. I had posed that seeking it calls for a fundamentally integrative…
What is known as the miracle of the “Feeding of the Five Thousand” occurs in Mark’s Gospel in chapter 6. As with other gospel writers, Mark has a few different points to make as he moves through this story (included in all four gospel accounts) and its surrounding material. Three…
To begin with the source of this narrative: Since no human being was present to observe these events, we must assume that this narrative was revealed directly by God to a human author. There are three ways this might have happened. First, we might read, "God said to Abraham (or…
The serious Bible student cannot help but be struck by the deviousness of Jacob in Genesis 27. If one already expected some underhanded dealings from this twin-born-second whose name means “supplanter” and whose bargaining with his brother for the birthright in Genesis 25 seemed incredibly weighted in his own favor,…
From Barna stats to mainstream headlines, it seems as though the discordant nature of this last year has taken such a toll on churches in the United States that, for many, the injuries have been fatal. It has become a regular occurrence to hear about a congregation that continues to…
In The Bad News Bears (1976), a city councilman hires a washed-up minor league baseball player with a drinking problem to coach a little league team of leftover misfits. Underdog sports movies are usually full of sentimentalism and dramatic victories, but this film is a commentary on the failing dream…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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