Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I was still a high school student the first time I read Fyodor Dostoyevsky’s Crime and Punishment, but I will never forget the powerful impact the book had on me. Of course, as a second year student, I did not fully digest the book. In spite of subsequent readings, I…
Crises force questions of identity. Identities may remain assumed until some event, or series of events, challenge what may have been taken for granted. The search for identity is an anxious one precisely because it tends to happen in times of upheaval and uncertainty. In his recent book, Orthoxox Anglican…
Peter Leithart recently wrote a fascinating short piece about the Half Shekel Temple Tax as an atonement. Leithart argues three main points. First that the Sanctuary Shekel was heavier, i.e., more valuable than the everyday shekel. Second, he offers some analysis about the order of magnitude of the purchasing power…
There is no denial from the careful reader that 1 Samuel 24 and 26 are telling the same story. Perhaps we should say, virtually the same story. But that the stories are cut from the same cloth is undeniable. What we have over these three chapters—1 Samuel 24-26—is a very…
In his novel That Hideous Strength , C.S. Lewis is able to masterfully illustrate in narrative form so many of his insights about the subversive dangers of Leftist political dogma to Christian civilization. Perceptive essays from Lewis like “The Abolition of Man” and “The Inner Ring” are fleshed out in…
At a very practical level, the Evangelical Church has been injected with counterfeit spiritualities. We are a people looking for a city, whose builder may only be in office for four years. Our temptation to veer to the side of the temporal is striking in our day, especially as the…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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