Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There’s something about joy that is infectious. And occasionally, we all have the opportunity to be in someone’s presence who is so happily engaged in their work, so joyous in their pursuits, that we want to learn from them. We want to know where that joy comes from and attain…
Jesus has told us that He intends all nations to be discipled. Nations. Not just individuals. All nations as theocracies. That being the case, the Church exists for the life of the world. Being baptized is not only a matter of becoming part of a new family, it is also…
Harold Bloom’s essay on Macbeth includes the kind of penetrating insights that make Bloom the great Shakespearean scholar that he is, but it also includes his typical and intense anti-Christian bias. “If Lear was pre-Christian, then Macbeth is weirdly post-Christian. There are, as we have seen, Christian intimations that haunt…
Revelation 16 is a day of atonement text. The tabernacle of the testimony has been opened (15:5). The angels who receive the bowls are clothed in linen (15:6), the clothing of the high priest when he goes into the sanctuary on the day of atonement (Leviticus 16:4). The temple is…
From time to time, when I’ve lectured on how to read the Bible, I’ve used art-music as one example thereof. When we listen to a simple folk song, we hear the same melody over and over again, but this is not how composers write "high" music. Let me amplify. A…
"For just as Jonah was three days and three nights in the belly of the sea-monster, so will the Son of Man be three days and three nights in the heart of the earth" (Matthew 12:40). Some reflections on Jonah’s Big Fish have led to the following essay. Let me…
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To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…
Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…
In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…
In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…
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