Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This year’s Biblical Horizons conference was another great success and we would like to thank all those who were involved by helping out with the catering or opening up their homes to attendees and speakers. The talks, open-ended as they were, offered a fresh perspective and food for thought on…
I find myself often rehearsing conversations with my children. When the house is quiet in the late evening, and I'm standing in front of a pile of soapy dishes, I think about what I am going to say to them in certain situations. When I am driving in the car,…
In Matthew 24:29 , Jesus employs “cosmic language,” signs in the sun, moon and stars, to predict the imminent end of the Old Covenant. His first-century audience would have recognized His allusion to the prophecy against Babylon in Isaiah 13 and understood His discourse as a condemnation of Jerusalem as…
The Enthroned One speaks to John (Revelation 21:6): “I am the Alpha and the Omega, the beginning and the end. I will give to the one who thirsts from the spring of the water of life without cost.” It's a little theology proper. For starters, there's the Greek version of…
In reading about how we got into this mess, I came across a very interesting couple of paragraphs that I think the church could learn from if we are going to counter the Obergefell ruling. Prior to 2009, same sex “marriage” had gone to the ballot box thirty-one times in…
In my previous essay on Macbeth , I pointed out that Shakespeare rewrote Scottish history to construct a play which points to Adam’s Fall — a man and a woman tempted by devils to steal the throne and become like gods. It is hard to imagine anyone in Shakespeare’s day…
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To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…
Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…
In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…
In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…
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