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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Abortion

PROLIFISM: A New Humanism

There is nothing good Satan cannot pervert, and that fact extends to the Christian public witness against abortion just as it applies to everything else. As a Christian who has written, marched, and picketed against legalized abortion since 1970, I have been saddened to see the development of the anti-Christ…

by James B. JordanApril 6, 1994
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Biblical Chronology

The Chronology of the Pentateuch (Part 2)

(We are discussing the meaning of the phrase "cutting off of days" in Genesis 4:3, showing that it implies the turn of the year in autumn.) Two passages use the term "cutting off of years" to refer to the lunar year, beginning in the Spring. Exodus 12:41 – at the…

by James B. JordanApril 6, 1994
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Haggai

The Wealth of Nations

In the second year of Darius, near the end of the feast of booths, the prophet Haggai encouraged the Jews of the restoration to continue their work on the temple by assuring them that “the latter glory of this house will be greater than then former” (Hag. 2:9). To this…

by Peter LeithartApril 6, 1994
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Biblical Horizons

A Theology of Ritual: Mapping the Territory

G. K. Chesterton began Orthodoxy by describing the plot of a book that he had never written. Taking a page from Chesterton, below I will briefly map out the territory of a book (or books) that need(s) to be written. Had I but world enough and time–and a small army…

by Peter LeithartApril 5, 1994
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Deuteronomy

Israel and Other Gods

As long as Moses lived, Israel seldom worshipped other gods directly. She broke the First Word by breaking the Second, worshipping God through the calf. As we shall see, God always treats such Liturgical Idolatry as Covenantal Idolatry, but it is far more serious because it is committed by those…

by James B. JordanApril 5, 1994
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Biblical Studies

The Holy City Revisited

In response to my article, " The Holy City " (in Biblical Horizons 55) James B. Jordan has made several suggestions about how I might expand on the ideas presented there. Several other readers have also contributed their insights. Below, I trace a few sketchy lines of thought. 1. The…

by Peter LeithartMarch 23, 1994

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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