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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
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Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Philosophy

Continental v. analytic

Continuing through Simon Critchley’s book on Continental philosophy, the following analogy seems to capture some aspects of the contrast of Continental and analytic: Continental is Catholic: conscious of tradition, respectful of saints, aware of historical contextualization. Philosophy is the history of philosophy. Analytic is Protestant: deals with de-contextualized philosophical problems,…

September 14, 2006
History

Modernist postmoderns

Postmodern critics of modernity sometimes treat the latter not only as the pursuit and ambition for totality; they treat it as a totality, as an undifferentiated whole. But if postmoderns are right, even modernity was fragmented and frayed at the edges, and the appearance of totality is a modernist ruse.…

September 13, 2006
History

Modernity and dirt

A subsidiary thesis: Modernity is motivated by a desire for purity, by dirt-avoidance - dirt being, as Mary Douglas says, “matter out of place.” Counter-modernity is dirt’s revenge, celebration of dirt.

September 13, 2006
History

Modernity as court culture

Featherstone once again. He points out that sometime in the 18th century, upper class culture divided from lower class culture: “in 1500 the educated strata despised the common people although they shared their culture. Yet by 1800 their descendants had ceased to join spontaneously in popular culture and were rediscovering…

September 13, 2006
History

Romantic ethic and Consumption

In his 1987 book, The Romantic Ethic and the Spirit of Modern Consumerism , C. Campbell attempts to explain the origins of contemporary obsession with novelty, pleasure in the new, self-expression through consumption of goods. He traces it to romanticism’s focus on “imagination, fantasy, mysticism, creativity and emotional exploration” (Featherstone’s…

September 13, 2006
History

Consumption, Body, and the Sacred

A couple of further notes from Featherstone’s very stimulating book. First, citing Pierre Bourdieu, he notes the limits of seeing consumption as an isolated marker of status. The signs “that betray a person’s origins and trajectory through life are manifest in body shape, size, weight, stance, walk, demeanour, tone of…

September 13, 2006

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