Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Should anthropological categories and tools be applied to Judaism? Seems a narrow and academic question, of interest to maybe ten people on the planet. It's one of the many virtues of Howard Eilberg-Schwartz's 1990 The Savage In Judaism to show that the question is a central one in the origins…
Christians are often accused of being obsessed with sexual sin. Why can't two people, of whatever sex, do whatever they please in the enclosure of their own room? Who is hurt if a guy wants to get off looking at tantalizing pictures and videos on his computer? What's the big…
“No one can enter a strong man’s house and plunder his goods, unless he first binds the strong man. And then he will plunder his house” (Mark 3:27 NKJV). Much commentary on the Revelation seems oblivious to its allusions to the Pentateuch (although there are many that do enlighten us…
Leigh M. Trevaskis's 2011 monograph, Holiness, Ethics and Ritual in Leviticus , is an outstanding contribution to the study of Leviticus. His main thesis is directed at the world of Old Testament scholarship, in which there is a consensus that the ritual laws of Leviticus 1-16 come from a school…
Richard Ounsworth begins his Joshua Typology in the New Testament with an excellent discussion of what he calls "ontological" typology, which he handily summarizes in four points. Typology involves "correspondences between real historical events, personalities, institutions, etc. described in scripture," a correspondence that is discerned (not created) by the reader…
Baylor University Press is sponsoring a reception to celebrate the official release of Peter Leithart's Gratitude: An Intellectual History . The reception will be held at the First Things offices in Manhattan on Thursday, March 6, at 6 PM. For more details, click here .
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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