Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Building of the Temple Solomon began work on the Temple in the second month of his fourth year. This was the year 2993, a sabbath year. He finished in the eighth month of his eleventh year, the year 3000, also a sabbath. (1 Ki. 6:1, 38). This is said…
The Bible expresses its chronology not only in sequences of years, but also in sequences of sabbath years and jubilees. This enables us to make a cross-check of our chronology, and when we find apparent problems, to refine it. If our chronology is right, we should find some significant correlations…
Adele Berlin, Poetics and Interpretation of Biblical Narrative Sheffield, England: Almond Press, 1983. This volume is the ninth in the "Bible and Literature Series" under the general editorship of David M. Gunn. According to its author, who teaches Hebrew at the University of Maryland, the book is an effort to…
V. Propp’s classic work Morphology of the Folktale (University of Texas, 1968) argues that one of the basic structures of folk literature is "lack, lack liquidated." A king sets out to look for a wife, and the tale ends with a wedding. Often, the hero sets out on some business…
Luke’s gospel begins and ends in the temple. It opens with Gabriel’s annunciation to the priest Zacharias (whose name, appropriately, means "Yahweh remembers") of the coming of a forerunner. Zacharias is performing priestly service at the time. The book ends with the joyful worship of a new priesthood in the…
Last time we arrived at the year A.M. 3960 as the date for the inauguration of the New Creation through the death, resurrection, ascension, and session of Christ, and the sending of the Holy Spirit. We also saw that this is most likely the year of Paul’s conversion. Fourteen years…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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