Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Why was Abel’s offering approved and Cain’s rejected? This question has been debated for many centuries. Some have argued that Cain’s offering was rejected because it was not a bloody offering; others that Cain’s offering was rejected because it was not from the firstfruits; others that Cain’s offering was rejected…
Last year I had occasion to work through the book of Luke as I did some work for one of my editorial clients, and this year my pastor has been preaching through Luke. Thus, I have twice been reminded of the Parable of the Unjust Steward (Luke 16:1-13), a parable…
We come now to what some have called the "Gordian Knot" of Biblical chronology: the period of the kings of Israel and Judah. We do not have a summary figure that tells exactly how long this period of time was. The book of Kings provides the years each king reigned,…
In an earlier article , while examining the biblical symbolism of dew, I noted the parallel in Psalm 133 between the dew upon Mount Hermon and the oil poured upon the head of Aaron. Both the dew of Hermon and the oil of ordination are compared to the pleasantness of…
The Covenantal Gospel was the last book written by the remarkable South African theologian and exegete Cornelius van der Waal. Two other works of van der Waal’s have been translated: Hal Lindsey and Biblical Prophecy , and Search the Scriptures . Because this book was written in 1979, it does…
A year or so ago, my wife and I were invited to a Christian school in order to preview a film on drug abuse that was going to be shown to our children. One of the children in this film turned out, of course, to be using drugs. This child’s…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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