Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Our creeds, taking cues from Matthew 28:18-20 and other biblical texts, speak of the order of the Trinity as “Father, Son, Spirit.” This order is evident in the order of redemption as well: the Father sends the Son, who ascends to heaven to receive and send the Spirit. Luke 1,…
The category of “relation” has long been central to Trinitarian theology, [1] but in recent theology it has become a transcendental, as many theologians have argued that relationality is the leading feature not only of divine life but of created life. [2] Human beings made in the image of the…
Listen to Trinity House President Peter Leithart discuss his article on the End of Protestantism with LCMS pastor Todd Wilken at Issues, Etc .
One of the keys to understanding the parable of the wheat and tares (Matthew 13) is to understand the time frame. Jesus is speaking in pictures and symbols about some period of history, but which? What’s the beginning, and what’s the end of the parable? Is Jesus talking about what…
Shakespeare wrote two tetrologies of English history, patriotically celebrating the Tudor monarchy by recounting its chaotic prehistory. Read in chronological order, Shakespeare’s English histories trace the depressing collapse of medieval politics, from the ineffectual but dignified medieval kingdom of Richard II, through the usurpation of Henry Bolingbroke, later Henry IV,…
The Heart of Liturgy What we call sacrament, the food-aspect of worship, is essential here. Biblically, sanctuary worship, or worship in the heavenlies, is always a “marriage supper,” always sacramental. The Papal Church made the Eucharist into a private act largely separated from the community of the church. Protestant churches…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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