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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Eucharist

Cult of the Host

One chapter of Emmanuel Katongole's A Future for Africa is a critique of the Ugandan Movement for the Restoration of the Ten Commandments of God (MRTCG). He argues that the movement has a “tendency toward isolation,” fails “to reimagine the nature of Christian leadership,” and exhibits a “lack of hope”…

July 21, 2015

You Are A Nanoverse

Tim Flannery's NYRB review of Paul Falkowski's Life's Engines and Peter Ward and Joe Kirschvink's A New History of Life sums up the authors' points: “our cells are comprised of a series of highly sophisticated ‘little engines' or nanomachines that carry out life’s vital functions.” These microscopic machines all work…

July 21, 2015

End of Music

The fall of Babylon brings an end to the sounds and sights of urban life. In particular it means the end of music (Revelation 18:22). Music once spread to the four corners of the city; when she is tossed into the cease, all four orchestra sections cease - harpists, musicians,…

July 20, 2015

Bound and Unbound

The verb “bind” (Greek, deo ) is used four times in John's gospel. The uses form a little chiasm: A. Lazarus emerges from the grave bound with grave clothes, 11:44. B. The Romans arrest and bind Jesus, 18:12. B'. Anna sends Jesus, still bound, to Caiaphas, 18:24. A'. Jesus is…

July 20, 2015

The Bible Teaches Us To Read It

Those who share in the first resurrection are not under the authority of the second death (Revelation 20:6). We know what the first resurrection is. John has just told us: Beheaded martyrs and those who resist the beast come to life and reign with Christ. “ This is the first…

July 20, 2015

Racism and the Modern Self

In his A Future for Africa , Emmanuel Katongole offers this brief analysis of the roots of racism. He argues that it is a specifically modern phenomenon, and that it is entrenched in “the story of the modern self, particularly the constant anxiety at the heart of the modern project.”…

July 20, 2015

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