Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“13th of July, 4:50 pm. I'm sorry. I know that means little at this point, but I am. I tried, I think you would all agree that I tried. To be true, to be strong, to be kind, to love, to be right. But I wasn't. And I know you…
CS Lewis's 1948 essay on “Priestesses in the Church” strikes a reader today as simultaneously quaintly naive and trenchantly prescient. The naive part comes near the beginning, where Lewis describes the decision to take “a revolutionary step.” It would “cut ourselves off from the Christian past and to widen the…
Imagine a version of the Lord of the Rings beginning with Sauron riding into the Shire and lopping off heads in a mad search for the ring, driving Frodo to flight from the beginning, helter-skelter and harried. While, no doubt, some Hollywood exec is at this moment scrambling to reboot…
A Communist Confession of Faith states that the aim of the Communists is “to organize society in such a way that every member of it can develop and use all his capabilities and powers in complete freedom and without thereby infringing the basic conditions of this society.” This aim can…
The story of the Fall enjoys a peculiar place in Christian thought. Together with the creation account in the two chapters that precede it, it is one of the few Old Testament narratives consistently to escape the relative neglect the Hebrew Scriptures often suffer. While the characters of Abraham, Moses,…
In the previous essay, we saw that fire is a work of the Holy Spirit. The two are related so closely that they cannot be separated. Now we turn our attention to the Spirit's relationship to water. Many have understood Spirit baptism to be a dry baptism, one that is…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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