Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What About Catholics? (continued) Usually, such people are not seeking graven images, but rather their idolatry is of a broader character. They are seeking a home on earth. Scott Hahn’s book is called Rome Sweet Home . This is the essential sin, for there is no home on earth. The…
Reading the earliest Christian apologists is like watching a movie in which the hero has the means to demolish his opponents in his grasp but never realizes it. The apologists come across as men not altogether aware of the radical character of the gospel they defend. In response to charges…
Then [Elisha] went up from there to Bethel; and as he was going up by the way, ne`arim came out from the city and mocked him and said to him, "Go up, you baldhead; go up, you baldhead!" When he looked behind him and saw them, he cursed them in…
Further Numerical Items of Interest Umberto Cassuto points out some other numerical factors in Genesis 5. 1 For one thing, he observes that every number in Genesis 5 is a multiple of 5, sometimes with the addition of 7. We have, in essence, made this point already. He also points…
Prostration God has designed the human body in a marvelous way, and Biblical religion is very physical. We believe in the resurrection of the body, against all pagan ideas of the immortality of the soul. We bury our bodies, not burning them. Human beings in their totality, including our bodies,…
Since Revelation is laid out in serieses of sevens, it is worth investigating to see if there is a series of seven after the seven libation-bowls of chapter 16. I believe there is, and it is the burden of this essay to expose it. The series of sevens, or heptamerous…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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