Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Flying scrolls. Red horses. Beasts coming out of the sea. Winged women. The list goes on. Apocalyptic literature in the Bible is like a cross between science fiction and Marvel comics. And the Bible has a fair bit of this sort of thing. Daniel sees visions in Babylon, Zechariah sees…
Trinity House Institute has taken a new name, the Theopolis Institute. This striking new name expresses our unique vision and mission and captures the unified purpose behind all our specific programs and activities. We still have Bible, liturgy, and culture in our tagline. We still offer the same courses on…
Adam Kotsko offers a socio-political variation on the Christus Victor atonement theory in his 2010 study, The Politics of Redemption: The Social Logic of Salvation . He does this by explaining "the devil" in terms of the Hegelian concept of "objective spirit," Geist . As Kotsko puts it, Geist "refers…
Two factors keep Nahtali Meshel from discussing the meaning of sacrifice until late in his The "Grammar" of Sacrifice . The first has to do with the texts he draws from: "P says little about the meaning of its rituals" (174). The other has to do with the grammatical theory…
Chapter 5 of Naphtali Meshel's The "Grammar" of Sacrifice focuses on "praxemics," the physical actions of sacrificial ritual. Praxemes are constituted by six elements: an "atomact," an elementary physical act or gesture; an actor; an object that is acted up; a target for the action and often for the object…
Two chapters of Naphtali Meshel’s The “Grammar” of Sacrifice cover what he calls “jugation” and “hierarchies.” The first involves the addition of other materials to an animal offering. Jugates include wine, cereal, and oil that are added to the animals (zoemes) that are offered in sacrifice. Some jugates are coordinated…
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Christopher Warner argues in The Augustinian Epic that Renaissance epic and medieval exegesis share two crucial features. First, both share an interest in history, but one that aims to peer behind the veil of fact into the allegorical meaning of facts. Petrarch’s epic of the Second Punic War and Tasso’s…
At the beginning of Revelation, the Spirit speaks to the seven churches. At the end, the voice of the bride and the voice of the Spirit become one, speaking a single wish: Come, Lord Jesus. By suffering with the Bridegroom, the bride learns His dialect. She becomes attuned to His…
Dennis Pardee’s Ritual and Cult at Ugarit collects texts that are relevant to Ugaritic cult, especially sacrificial cult. He ends the book with a helpful survey of the similarities and differences between Ugarit and the Bible. One of the differences has to do with the use of blood. “The blood…
The Lego movie has a cutting-edge social message, writes Ben Walters in The Guardian : “The film’s exuberant, kid-friendly larks – Wild West! Robot pirates! Unicorn kittens! Batman! – are laced with satirical digs at surveillance culture, built-in obsolescence and police brutality, as well as inane positive thinking. Its opening…
Gary Shteyngart writes in The Russian Debutante’s Handbook (2007): “A knowledgeable Russian lazing around in the grass, sniffing clover and munching on boysenberries, expects that at any minute the forces of history will drop by and discretely kick him in the ass. “A knowledgeable Jew in a similar position expects…
Sean McDonough’s YHWH at Patmos (1999) is a 250+ page book about a single verse, Revelation 1:4. Really, only one phrase of that verse: “He who is and who was and who is coming.” McDonough traces the pre-history of the phrase to the name Yahweh. More surprisingly, he finds precedent…
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