Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Jamie Soles is the reason I know my way around a guitar. When my guitar teacher put the sheet music for Eine Kleine Nachtmusick in my fourteen-year-old hands, I balked. He gave me “Foggy Mountain Breakdown.” I learned half of it. At home, I ignored my teacher’s instructions and tugged…
This is a tough era for mothers. Regard for mothers, while it is always booming in some circles, is decidedly lacking in the prevailing winds of the milieu. In high demand by contrast is contribution to the work force, being a consumer, and basic economic survival, often as a solitary…
After the dark quiet of the year’s beginning, I return now to pick up the threads of my reflection on integration. This is my own personal inquiry, and for me it is no academic exercise but rather the forefront of my personal quest for the real. My hope is that…
The chiastic structure of The Hobbit we considered in the previous essay is highly suggestive of what might lie in store for The Lord of the Rings saga. It is undoubtedly the case that J. R. R. Tolkien was a literary craftsman. It may even be the case he is…
Structure plays an important part of any literary work, whether poetry or prose. It adds to the beauty and depth of the work and allows insight to be gained about what the author is trying to communicate. The question that concerns us here is whether or not there exists an…
Can we learn to communicate from an outside intelligence? Spoiler Alert! If you have not yet seen the movie, this article may provide you with a great deal more information than you wished to know at this point. Since the 1999 film The Matrix received careful scrutiny on many fronts…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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