Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Why there is more to Jephthah than meets than eye It was not that long ago that I realized the Jephthah-story and the Jesus-story were basically the same story. Sounds crazy, I know. But here is a one-paragraph synopsis of both: The people of God have gone their own way,…
G.K. Chesterton famously said that the Gospels don’t reveal Jesus’ mirth. It’s true we never catch Jesus laughing. But can we believe He never did? I don’t think so. Laughter is human, and Jesus was fully human. Jesus promised that those who mourned would laugh. He mourned; would He not…
Matthew 2 has all the elements of an exodus story. There’s a murderous king, who slaughters Jewish babies. There’s a infant who will be Israel’s future deliverer, saved from the murderous king so He can later return to save His people and lead them to the Promised land. There’s an…
The calendar of Israel was primarily theological, centered on commemorating the salvific acts of God, but also agricultural, celebrating the creation-restoring effects of those salvific acts. The feasts of the first month celebrated the reviving of the world in the Spring, and typified the cutting off of the Savior in…
The chiastic shape corresponds to the shape of human life. This should not surprise us, because we are made in the image of God, and God is manifest in Word and Spirit. If we are living epistles, our lives will look a bit like the literary shape of the books…
Back in January, Venkatesh Rao wrote a fascinating post on the Ribbonfarm blog, discussing different forms of models of narrative. Engaging with Ursula LeGuin’s talk ‘The Carrier Bag Theory of Fiction’ , Rao explores her contrast between the (male) ‘hero narrative’ and the (female) ‘carrier-bag story’, and suggests a third…
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Carey Ellen Walsh ( Exquisite Desire ) points to the difference between classical responses to desire and the account of desire in the Song of Songs.  Using Odysseus and the Sirens as an illustration, she notes how this scene reveals the Greek instinct that desire “harbors danger by rendering its…
Love is as strong as death.  But no stronger.  It’s a standoff. No, Jenson says: “death does not allow of stalemates.  If love binds lovers even in death’s despite, death is overcome by love.  Nor does the grave allow of partial retrievals; if it yields its prey, then its jealousy…
Barthian that he is, Jenson gets the point of the Song’s “seal on my heart” just right: Jesus’ “death has made us the seal of his identity: he dies ‘for’ us, in identification with us.  Now he is not what he is without us; he did not go into death…
Robert Jenson ( Song Of Songs (Interpretation, a Bible Commentary for Teaching and Preaching) ) notes that Song of Songs 8:6-7 contains “pervading reference to the myths of Israel’s religious milieu: ” Mot can indeed be translated simply ‘death,’ but it is also a proper name, for the Canaanite god…
Jealousy refers to a relentless and exclusive passion and attachment.  For Solomon, it is as hard as the grave.  Once someone goes into the grave, the grave doesn’t let him back up; once it takes hold, it doesn’t let go.  Jealousy is like that.  It is “that aspect of love…
Given the “canon” that Scripture speaks “doubly” of Christ (sometimes divinely, sometimes humanly), it would seem easy for Athanasius to shuffle passages about the Father giving and the Son receiving to the “humanity” side of things.  He doesn’t, and He’s right.  The Son has all that the Father has, and…
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