Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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Still further evidence that a) Hegel can’t get away from Kant’s pietism and b) Hamann would have been as right about Hegel as he was about Kant.  Jean-Marie Schaeffer writes of the impact of the incarnation on history: “it is through God’s becoming man, through the life and passion of…
Andrew Bowie ( Aesthetics and Subjectivity : From Kant to Nietzsche ) challenges the typical postmodern characterization of modern philosophy by highlighting music.  Heidegger views “the growth of the importance of music in modernity as grounded in an attitude to art based just upon feeling ‘which has been left to…
Esau is a “hairy man” ( sa’iyr ), something we learn only when Jacob dresses himself in goat hair to approach his father (Genesis 27:11, 23). Jacob becomes a hairy one, subbing in for his brother. The only other use of the word in Genesis is in 37:31, where it…
When Moses objects that he cannot speak, Yahweh assigns his “brother Aaron” to be his spokesman and prophet (Exodus 4:14; 7:1-2).  The next time Aaron is identified as Moses’ brother is in Exodus 28, where he is given the garments of glory and beauty to approach Yahweh, and the phrase…
Greek art, Hegel says, brings art to its summit.  This presents a difficulty: The greatest sensuous artistic form occurs within a polytheistic, inadequate religion. In Jean-Marie Schaeffer’s summary, Hegel resolves this by pointing to the very brokenness of the bodily form of Christ in Christian art: “in Christian art, Christ…
Heidegger got it exactly right: “We never really first perceive a throng of sensations, e.g., tones and noises, in the appearance of things . . . rather we hear the storm whistling in the chimney, we hear the three-motored plane, we hear the Mercedes in immediate distinction from the Volkswagen.…
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