Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I'm afraid of messing up. Not just of messing up in general, but of messing this up—the big This that is the story that is my life, the story that God is attempting to tell with me as His material. The question casts its shadow over all my decisions. Can…
Jesus’ letter to Pergamum mentions Balaam and Balak (Revelation 2:14), and that is a signal that the whole message is running along the lines of Numbers 22-25. The death of the high priest is a sacrificial moment in the life of Israel. According to the rules of the cities of…
As you come to be joined in marriage today, I want to take a moment to focus on one important dimension of what it means to be married as Christians: that is as those who know Jesus and are being made into His likeness. This is a glorious day, full…
When Jesus was entered into Capernaum, there came unto him a centurion, beseeching him, saying, “Lord, my servant lieth at home sick of the palsy, grievously tormented.” Jesus saith unto him, “I will come and heal him.” The centurion answered and said, “Lord, I am not worthy that thou shouldest…
Philosophers have measured mountains, Fathom'd the depths of seas, of states, and kings, Walk'd with a staff to heaven, and traced fountains But there are two vast, spacious things, The which to measure it doth more behove: Yet few there are that sound them; Sin and Love. The Agonie –…
The third chapter of Luke famously opens with a list of mighty men, seven mighty men, potential heroes of the Mediterranean world. Beginning with Tiberius Caesar and Pontius Pilate, passing on to Herod the Tetrarch and his brothers, and ending with two High Priests, Luke says that the word of…
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According to Pickstock, Augustine’s musical ontology is not a mere subordination of space to time, or a univocal “Dionysian flow”: “just as important as the priority of time, for Augustine, is the insistence on articulation into distinct musical units or phrases, the very move which allows a stress upon the simultaneity…
Nothing comes from nothing.  That seems obvious, and Christians have traditionally had some difficulty explaining why creatio ex nihilo is a defensible violation of that basic principle. According to Catherine Pickstock, Augustine viewed creation ex nihilo as the most rational position.  All around us, “things are continuously coming to be…
In responding to Milbank’s analysis of Augustine on the secular, RA Markus ( Christianity And the Secular (Blessed Pope John XXIII Lecture Series in Theology and Culture) ) borrows MJ Hollerich’s summary of Milbank that there is no “neutral public sphere in which people can act politically without reference to…
Jean-Marie Schaeffer ( Art of the Modern Age: Philosophy of Art from Kant to Heidegger (New French Thought Series) has a blast pointing out the contradictions in Kant’s aesthetics. Most of them arise from Kant’s insistence that the judgment of taste is founded on “the form of a finality” that…
Can effects double as causes? Kant, still working with some form of final causality, thinks so: There are cases when “the thing that for the moment is designated effect deserves none the less, if we take the series regressively, to be called the cause of the thing of which it…
Evidence that Hamann had Kant right: In explaining taste as a common sense, he notes that this common sense of beauty can be arrived at by a process of stripping off whatever belongs to our perception and prejudice. That is, we put “ourselves in the position of every one else,…
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