Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Why there is more to Jephthah than meets than eye It was not that long ago that I realized the Jephthah-story and the Jesus-story were basically the same story. Sounds crazy, I know. But here is a one-paragraph synopsis of both: The people of God have gone their own way,…
G.K. Chesterton famously said that the Gospels don’t reveal Jesus’ mirth. It’s true we never catch Jesus laughing. But can we believe He never did? I don’t think so. Laughter is human, and Jesus was fully human. Jesus promised that those who mourned would laugh. He mourned; would He not…
Matthew 2 has all the elements of an exodus story. There’s a murderous king, who slaughters Jewish babies. There’s a infant who will be Israel’s future deliverer, saved from the murderous king so He can later return to save His people and lead them to the Promised land. There’s an…
The calendar of Israel was primarily theological, centered on commemorating the salvific acts of God, but also agricultural, celebrating the creation-restoring effects of those salvific acts. The feasts of the first month celebrated the reviving of the world in the Spring, and typified the cutting off of the Savior in…
The chiastic shape corresponds to the shape of human life. This should not surprise us, because we are made in the image of God, and God is manifest in Word and Spirit. If we are living epistles, our lives will look a bit like the literary shape of the books…
Back in January, Venkatesh Rao wrote a fascinating post on the Ribbonfarm blog, discussing different forms of models of narrative. Engaging with Ursula LeGuin’s talk ‘The Carrier Bag Theory of Fiction’ , Rao explores her contrast between the (male) ‘hero narrative’ and the (female) ‘carrier-bag story’, and suggests a third…
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JS Lawry says that Emma insults Miss Bates in an effort to liven up a dull party: “Like a virtuoso, she takes care that her art be equal to its occasions – but no more. Later, when a party seems dull, she will be brought to insult Miss Bates precisely…
David Southward suggests in a fascinating study of embarrassment in Austen’s novels, Emma “seems more concerned about ‘being looked at’ than she is about ‘doing wrong.’” When she holds a dinner party for the Eltons, it’s intended to avoid being “exposed to odious suspicions” that she is full of “pitiful…
David Southward suggests in a fascinating study of embarrassment in Austen’s novels, Emma “seems more concerned about ‘being looked at’ than she is about ‘doing wrong.’” When she holds a dinner party for the Eltons, it’s intended to avoid being “exposed to odious suspicions” that she is full of “pitiful…
Rousseau is not the only source of sentimentality in novels, the literature of sensibility. There are English resources, such as the free prayer tradition, which made spontaneity the test of sincerity. But Rousseau is one of the sources of this stylistic strategy, and a source that Austen would likely have…
Like Elizabeth Bennet, Emma Woodhouse’s desires for her man are awakened while exploring his property, Donwell Abbey with “all its appendages of prosperity and beauty, its rich pastures, spreading flocks, orchard in blossom, and light column of smoke ascending.” That this scene presents itself in Midsummer has been cause for…
Like Elizabeth Bennet, Emma Woodhouse’s desires for her man are awakened while exploring his property, Donwell Abbey with “all its appendages of prosperity and beauty, its rich pastures, spreading flocks, orchard in blossom, and light column of smoke ascending.” That this scene presents itself in Midsummer has been cause for…
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