Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The book of Isaiah has a very brief introduction, one verse, and then plunges into a searing indictment of the people of Judah and Jerusalem. They are sons who do not honor their father, worse than donkeys and oxen who at least know their master. They are a bruised and…
This is the third of a three-part essay. The Literary Reader As a conclusion to this essay, I want to make some observations that grow out of C. S. Lewis’s remarkable Experiment in Criticism , mentioned in an earlier installment. What Lewis is interested in doing is coming up with…
Metropolitan Manifesto, the new work from Theopolis fellow Richard Bledsoe, and first "Theopolis Books" release, is out today! Head over to the Athanasius Press website to get a copy. Half the world's population now lives in cities, and that is where the Church must learn to serve. Rev. Richard Bledsoe…
This is the second portion of a three-part essay. Learning to Read Learning to read the Bible is easier said than done, of course. There are several reasons for this, and they all have to do with the art of reading. Reading is an art and not a science, and…
“It instilled a real and abiding change in the way I understand my life as a disciple of Jesus Christ,” said Clint Hail, a Community Development Coordinator out of Dallas who attended Theopolis’ course on Mission to the City . “The course renovated the way I understand the challenges facing,…
What does it mean to read the Bible as inspired literature? The method is not new nor is it uncommon in Dutch Reformed circles. Exegesis must be Christocentric, plenary (all the text serves a theological purpose), respect the context in God’s redemptive plan, and plumb the full literary depth of…
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When John first talks about sin, he connects it to fellowship and walking in the light. He does not say, “If we walk in the light, the blood of Jesus cleanses us, and as a result we have fellowship with one another.” He says, “If we walk in the light,…
Stallybrass and White critize Bakhtin for conceptualizing the fair purely as a place of communal celebration, ignoring the commercial activities of the fair: “In developing this concept, Bakhtin succumbs to that separation of the festive and the commercial which is distinctive of capitalist rationality as it emerged in the Renaissance.…
Stallybrass and White again: The classical form “was far more than an aesthetic standard or model.” It might be better to say that there was a classicist aesthetic at work in other areas besides art. In any case, the classical body “structured, from the inside as it were, the characteristically…
Peter Stallybrass and Allon White ( The Politics and Poetics of Transgression ) summarize a point from Bakhtin: “Bakhtin was struck by the compelling difference between the human body as represented in popular festivity and the body as represented in classical statuary in the Renaissance. He noticed how the two…
Theologians normally treat the incarnation-to-burial of Jesus as the humiliation of the Son; resurrection-to-ascension exaltation. That’s correct, but there are other angles too. God hid His face behind a veil from the time of Moses to the incarnation. This is His humiliation - we might almost say, a display of…
Andre Gide wrote: “Has anyone, in explaining Hamlet’s character, made full use of the fact that he has returned from a German university? He brings back to his native country the germs of a foreign philosophy; he has plunged int a metaphysics whose remarkable fruit seems to me ‘To be…
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