Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
"The faithful use of sacraments, and indeed a fully sacramental view of creation, is vital to the life of the Church. Baptism and the Lord's Supper are rites that directly shape the community and the Body, because they were given by God for that express purpose. A deficient practice of…
Weightlessness is fun. At the beginning of Gravity (2013) , we can see one astronaut dancing the Macarena and another one playing with his jetpack. They like it out there in the space. Apart from zero-gravity they can enjoy beautiful views, and even the silence is likable, although Matt Kowalski…
I recently went to a lunch that is more or less quarterly. About a dozen of us go. It is a lunch held in honor of a retired professor of religion and philosophy. I have been one of his acquaintances for more than 40 years. In his tenure as professor,…
Why Theopolis? Don't we already have seminaries and Bible colleges and other institutions for theological education? Why do we need another one? I get this question now and again. I ask myself this question even more often. What follows is a partial answer. Back in the 1990s, seminaries seemed to…
I think the logic of the Lutheran Reformation can be summarized in one sentence, attributed to Luther himself: "God does not need your good works, but your neighbor does." The first half of that statement is justification by faith . God doesn't need our works to satisfy his justice or…
If you are looking to start a fight with Christians, there is hardly a better subject to do so than the arts. Music, movies, paintings, and literature have provided no small battlegrounds for Christians to war. We are emotionally invested in the arts. A song, a book, or a film…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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