Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In The Meaning of History , Nikolai Berdyaev argues that the ancient Greeks had no concept of history and no philosophy of history because their concept of God and the world did not allow for it. “They conceived the world aesthetically, as a finite and harmonious cosmos. The most representative…
You know how the curtain parts at the beginning of a play, and you see a new scene, with characters and sets and incidents that had remained hidden up til then? Church last week was like that. Except the curtain was made up of all the things I thought were…
Genesis 3 records the terrible day when humanity fell into sin and shalom was violated. This was a moment of cosmic treason, when Adam and Eve violated their relationship with God by rebelling against His command and fell into the severe ignobility we all experience. The entrance of sin wrecked…
One of the most important contributions of twentieth-century Catholic nouvelle théologie , and of Henri de Lubac and Jean Danielou in particular, was its rehabilitation of the typological interpretation of the Bible practiced by patristic and medieval theologians. Typological interpretation assumes that events and institutions of the Old Testament present…
The Catholic News Service has reported that Pope Francis has called for the abolition of not only the death penalty, but also of life in prison. In a meeting with representatives of the International Association of Penal Law, the pontiff called for all “Christians and people of good will” to…
Each year, the United Nations designates November 25 as the International Day for the Elimination of Violence against Women. U.N. Secretary-General Ban Ki-moon explains, “Violence against women and girls takes many forms and is widespread throughout the globe. It includes rape, domestic violence, harassment at work, abuse in school, female…
Showing page 166 of 309
Showing page 8 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
