Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Inspired by the “Moscow Mood” Debate In a shocking 1961 study, Yale psychologist Stanley Milgram would don an official-looking white lab coat and tell a volunteer to administer increasing shocks to another “volunteer” in an adjacent room strapped into an “electric chair” just out of sight. The shocks were incrementally…
My title and the substance of the article are borrowed from a section of David Wenham’s excellent book, Paul: Follower of Jesus or Founder of Christianity? I am appropriating ideas from the pages in his book which address the question, “Why Does Paul refer to Jesus’ Life and Ministry so…
Some of us may be familiar with the notion that the epistle of James is like a New Testament version of Proverbs or other wisdom literature. According to this line of thinking, the epistle of James (together with the other wisdom literature) is basically a collection of timeless sayings without…
This summer I started walking a long trail that ran north from our home. On my best days, I would walk a total of five miles at a brisk pace. This trail follows the power lines that serve a significant portion of North Dallas and stretches far past the two…
I am an Australian. I went to the American Academy of Religion mega-fest last year to meet up with some friends, to present a paper at a ‘science and religion’ panel, and to marvel at the sheer scale of how Americans do things. It was quite a ride. Looking at…
Part 1 Part 2 Part 3 We evangelicals do not often understand the roles of men and women in ministry. Because our consumerist culture has gutted the notion of family as it was historically understood, all Biblical passages about women in church ministry (a familial organism) are almost incomprehensible to…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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