Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Click HERE for an audio version of this article. For part 1 of this series, click HERE . The New Covenant changes none of this. There is nothing new or odd about Mary’s sitting at Jesus’ feet, nothing strange about various “deaconesses” serving the Incarnate Tabernacle. Paul affirms that in…
An Introduction Despite my rather hectic schedule as a father and pastor, I’ve become more and more concerned that a tract defending God’s sovereignty and fore-ordination of all things would be a helpful tool for the Reformed pastor–one converstational in tone and persuasive in style. I have decided to undertake…
There has been a great deal of controversy in the various conservative Reformed microdenominations in North America. Since I am a pastor in one of these and have been advocating a return to the historic Protestant and Confessional view over again the baptistic mutation that is now prevalent in our…
I have recently written on justification as a covenant status and justification and adoption , understood as joining with Christ and his family at the Lord’s Supper . I write about things like this because it seems quite common in America to denigrate the need for community in one’s commitment…
Samuel Miller was one of the early professors at Princeton Theological Seminary. As a Presbyterian he wrote a book that defended infant baptism . Miller’s book was fine, but his appendix on baptismal regeneration seems problematic. Of course, his initial attack on superstition is quite warranted, but I am speaking…
Awhile back I wrote the following, first quoting from the author of the excellent book, A Baptism That Saves : The sacramental view [of baptism] most accords with the idea of God’s initiating a covenant by his sovereign decree in election–effecting this through effectual calling. This is because, instead of…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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