Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Jonah is Paul’s typological opposite. Indeed, in the whole Old Testament, it would be difficult to find a more perfect foil to Paul than Jonah. Whereas Paul crosses the sea to enact God’s saving purposes for the Gentiles, Jonah crosses the sea to avoid bringing Gentiles God’s mercy. For that…
Years ago, I realized that if my children wanted to feel like their house was a home, I needed to be intentional about making our physical shelter a place of spiritual refuge. I began to see the Holy Spirit as the indwelling person of the Trinity—the one who makes His…
When the crowds encircle Christ in Solomon’s Porch during the Festival of Dedication, they charge him: “tell us boldly who you are!” 1 They do not draw-up to him to with excited anticipation as they did earlier in the Gospel, 2 instead they flank him like a gang of wolves.…
1 In Deuteronomy 7:1-5, Moses wrote: When Yahweh your God brings you into the land which you go to possess, and has cast out many nations before you, the Hittites and the Girgashites and the Amorites and the Canaanites and the Perizzites and the Hivites and the Jebusites, seven nations…
Every Advent witnesses the gruesome reanimation of the voice that whispers “you know , Christmas is just a pagan holiday…” with that sort of conversational ellipsis that does not so much invite further reflection but halts and forecloses it. The claims are several and equally spurious: Jesus wasn’t born on…
Abraham's life in Genesis is a series of trials. He travels hundreds of miles from his family into a new land, flees from a famine into the hands of a king who takes his wife, and after returning, has to rescue his brother from a war. He's involved with two…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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