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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Theology

Incarnation, Church, & the New Heart

“And it shall be in those days when you are multiplied and increased in the land,” declares the Lord, “they shall say no more, ‘The Ark of the Covenant of the Lord.’ And it shall not come to mind, nor shall they remember it, nor shall they miss it, nor…

by Mark HorneJune 6, 2004
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Grace

Grace & Justice in Unexpected Places

Elsewhere, I have argued that there is grace in the so-called covenant of works (see, e.g., my colloquium essay, “A Response to ‘The Biblical Plan of Salvation,’” in The Auburn Avenue Theology: Pros and Cons , edited by Calvin Beisner (pages 118-148). It may be equally surprising to find justice…

by Rich LuskJune 6, 2004
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Theologia

Trust & Obey

Years ago, as a layman, I had the privilege of attending a Bible study led by a gifted teacher. His story was interesting: back when he was a student he had been severely sanctioned for affirming that one must repent in order to be saved, that one must trust Jesus…

by Mark HorneJune 5, 2004
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Theologia

The World is Built on Faith

Believing that God really exists Defining “faith” is sometimes made too complicated. The theologian, Louis Berkhof, for example, distinguishes “faith in general” from “faith in the religious sense and particularly saving faith.” Berkhof’s core definition of saving faith is not so bad. He says that it is “a certain conviction,…

by Mark HorneJune 5, 2004
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Apostasy

The Children of Christians Are Christians

It is generally acknowledged that when Paul wrote letters to churches, he expected his letters to be read in the worship service to the congregation. It is interesting, then, that when Paul wrote letters to a congregation he could feel free to address children and tell them to obey their…

by Mark HorneJune 5, 2004
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Ecclesiology

Calvin on the Pastor and Community

Book 4 of Calvin’s Institutes of the Christian Religion is a classic work of ecclesiology. This book is the longest section of the Institutes , showing Calvin’s deep interest in and love for the church. Among its many salutary features is a full scale exposition of those ecclesiastical leaders Calvin…

by Rich LuskJune 5, 2004

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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