Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Russian Orthodox liturgist Alexander Schmemann died in 1983, but his importance continues to grow, sometimes in surprising ways. A Russian transplanted to Paris and then to Crestwood, New York, he was an acute observer of the American religious scene. He possessed the clarity of vision the Spirit often grants to…
This is the fifth in a series of studies of Deuteronomy 22:3-23:8. "A bastard ( mazmer ) shall not enter into the assembly of Yahweh; even to the tenth generation shall none of his enter into the assembly of Yahweh" (Deuteronomy 23:2). [i] The translation “bastard” here for mazmer ,…
The Enlightenment project is very comprehensible in terms of the “Wars of Religion” that followed the Reformation. It's questionable whether all that is said about the Wars of Religion is entirely fair (R. J. Rushdoony’s Christian Survey of World History has some very helpful things to say about this). Still,…
The fourth in a series of studies on Deuteronomy 22:30-23:8. One wounded by crushing, or cut in the member shall not enter into the assembly of Yahweh (Deuteronomy 23:1. [i] The translation of this verse varies in different English versions. The basic idea is clear enough, however: a eunuch is…
Trinity House President Peter Leithart will give a lecture on violence at the 2013 Wheaton Theology Conference later this week.
The third in a series of studies on Deuteronomy 22-23. This continues the second essay, which examines Deuteronomy 22:30: "A man shall not take his father’s wife, and shall not uncover his father’s wing" (Hebrew: kanaf ). The Sin of Ham Another story would almost certainly occur to an ancient…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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